US review for new single

this is what EastPortlandBlog wrote about our new single:

Smokestack Lightnin – ElectroBluesSociety feat Boo Boo Davis

This is so beautiful it hurts. This is live Chicago blues. I’m thirty years past Chicago and I’d swear I rode the Englewoood-Howard B Train tonight, shared a bottle of Christian Brothers on the down low and got clotheslined by “the Hawk” wind when I transferred for the Ravenswood line. Heaven on a bone, Smiffy’s Ribs, testifyin’ for the blues, the signal’s coming in strong, someone got set free tonight.

nice little review for our new single

This is our third feature for ElectroBluesSociety this time the vocals are provided by Michel Peters on ‘I Got My Mojo Workin’. Once again the mixture of timeless natural blues is performed with passion and the modern electro influences add another fabulous dimension to the song.

review from the UK

this short review by Norman Darwen was published in BLUES IN THE SOUTH (UK):

B&T 969 – All The Way Down – ElectroBluesSociety feat Jan Hidding.

Another download single from this Dutch outfit with singer Jan Hidding. ‘All The Way Down’ runs to four and a half minutes, with Jan’s big, deep voice backed by a riffing guitar, bass, drums, blues harp and occasional electronic noises. The song itself is a soulful, blues ballad, a little reminiscent of the mid-60s but certainly contemporary, though the electronics add to the track rather than detract from it. Do try to give it a listen!

 

short review for our new single

Here is a short review from our new single that was published on the USA music blog:

We have featured ElectroBluesSociety just once before back in December 2016. I think it fair to say that the second feature has been worth the wait. ‘All The Way Down’ has the deep rich vocals of Jan Hidding where his natural blues singing is fabulous, the backing music is stripped back with a potent blues guitar and drums and just a small glimpse of electro sounds.

review new single on BluesMagazine.nl

Dat de blues tegenwoordig ook, deels, via elektronische wijze tot je kan komen wordt hier bewezen door het Hollandse duo ElectroBluesSociety. Bestaand uit de ervaren blues rotten Jasper Mortier (drums, bas), die o.a. speelde bij Preston Shannon, Melvin Taylor en Monti Amundsen, en Jan Mittendorp (gitaar, electronica), die speelde bij o.a. Boo Boo Davis, Percy Strother en Roscoe Chenier. Op deze digitale single wordt het duo bijgestaan door Cuban Heels zanger Jan Hidding. De elektronica vind je in dit nummer voornamelijk terug in samples en elektro ritmes. Het nummer opent met de lome bas van Jasper Mortier met gesampelde (?) keyboards en zacht bonkend elektroritme. De galmende zang van Jan Hidding is  daarna door het nummer heen te vinden in gesampelde vorm. Het nummer ontwikkelt zich langzaam tot een loom funky bluesnummer waarin de broeierige gitaar voor een haast swamprock gevoel zorgt. Een nummer met een hypnotiserend geluid dat zeker naar meer doet smaken. Deze digitale single is een fraai voorbeeld van een samenwerking tussen de blues en elektronica. Met een heel apart en pakkend resultaat als gevolg. Hopelijk volgt er binnenkort een volledig album en ik ben ook benieuwd of we dit duo ook ooit live als een complete band te zien gaan krijgen.

review from the UK

ElectroBluesSociety feat Jan Hidding – Rosie (Black & Tan B&T 967

Jan Hidding is singer with the long-standing Europe an garage blues group The Cuban Heels, here teamed up with the Dutch Black & Tan’s label’s house band (Jasper Mortier on drums and bass and label boss Jan Mittendorp on guitars and effects) for a modern recording of “Rosie”, the prison song recorded by Alan Lomax. The results are nicely gritty, rootsy dance music; but don’t let that last phrase put you off, there’s definitely more than a trace of UK 60s R’n’B. Very interesting indeed…

short review from the UK

Bluesman Roscoe Chenier recorded some fine material for Black & Tan Records, including this fine a cappella rendition of the old gospel standard, released in 2006.

On this new single download release, ElectroBluesSociety have added a modern, bass heavy musical accompaniment including slide guitar it is actually pretty sympathetic and effective. The track runs to five minutes long, and although purists may sneer, if it brings a new audience to the blues, it will have done its job.     Norman Darwen

review on SoulAndJazzAndFunk.com

GOIN’ IN CIRCLES ………

The traditional hymn ‘Will The Circle Be Unbroken’ is one of Gospel’s most recorded songs. Soul folk will most probably know and cherish the haunting rendition from the Staple Singers. An equally haunting version was cut by bluesman ROSCOE CHENIER in 2006. His acaplla take was recorded for Black and Tan Records. It was, in fact, the Louisiana born Chenier’s last recording (he died in 2013) and amongst the gospel and blues community it has acquired an almost mythical status. The track has just been reissued by Black and Tan, but for the release they’ve added musical backing from Dutch band, Electro Blues Society, the sparseness of which manages to enhance the ethereal quality of Chenier’s original vocal. The single is out now.

another review for our new single

ElectroBluesSociety are a Dutch-based “Organic Dance music” duo mixing electronics with raw, vintage live Blues-based sounds; self-described as “two guys and a bunch of junk with a broad taste and an open mind. Together, they are mixing modern technologies with 30+ years of live stage experience.” ElectroBluesSociety (EBS) consists of drummer and bassist Jasper Mortier and guitarist and Black & Tan Records owner Jan Mittendorp. Mortier has worked with the likes of Paul Oscher, Preston Shannon, “Sax” Gordon Beadle, Philip Walker, and Boo Boo Davis, while Mittendorp has toured extensively across Europe & The US with artists such as Percy Strother, Smokey Wilson, Boo Boo Davis, Erskine Oglesby, and Roscoe Chenier. Jan Mittendorp personally, worked with American R&B singer and guitarist Roscoe Chenier for nearly 20 years and released two of his critically-acclaimed albums—Roscoe Style (1998) and Waiting for My Tomorrow (2006)—on Black & Tan Records. Chenier’s rendition of traditional Gospel hymn, “Will The Circle Be Unbroken” was originally released on Waiting for My Tomorrow in sparse, stripped-down acapella form. Now, nearly 12 years after its initial release, Black & Tan Records have properly re-released “Will The Circle Be Unbroken” with a newly-orchestrated backing track arranged by EBS to accompany Roscoe Chenier, who, unfortunately, passed away in 2013. Jan Mittendorp said, in an exclusive statement sent to The Witzard, “Jasper and I and both terrible singers (to put it mildly) but [on the other hand], we love Blues and Roots music, mainly because of the vocals.” Mittendorp enthusiastically continued: “so, instead of doing some bad singing ourselves, we prefer to use something good that is already existing. We have some more projects coming up, where we use new vocal recordings of guest singers that we invited for a recording sessions.” ElectroBluesSociety’s “Will The Circle Be Unbroken” personally, reminds me of Jamie xx’s 2011 full-album remix of Gil Scott-Heron’s 2010 return-to-form I’m New Here, fittingly re-titled We’re New Here. “Will The Circle Be Unbroken” has been released as a digital-only single on Black & Tan Records, now available on Apple Music, Deezer, Soundcloud, Spotify, and similar like-minded digital retailers.